Hearing Rudolf Serkin’s Hammerklavier sonata and Emperor concerto. Hearing Horowitz’s after his return to the concert platform. Hearing Gilels’ and Richter’s first recitals in New York. What is your most memorable concert experience? From here Mozart develops the techniques of solo and tutti within aria form, transforming its structure to the domain of the instrumental concerto at the moment that he chafes against the static nature of opera seria and wants to have dramatic development WITHIN arias, not just BETWEEN them (in the recitatives, where the action typically happens in opera seria). These are therefore works of apprenticeship. It is fascinating to see how in doing this Mozart prepared himself for the task of composing instrumental concertos from scratch. Bach Mozart supplied orchestral accompaniments, thereby transforming these movements into concertos. The solo keyboard parts are written not by Mozart, but by expatriate composers living in Paris in the middle of the 18 th century, together with C. J.s. bach. complete recordings. 172 cd hanssler edition series#What are the particular pleasures and challenges of Concertos 3 & 4 which you performed with Aurora orchestra as part of their Mozart’s Piano series at Kings Place? They are operatic scenes, incorporating a breathtaking span of emotions that unfold under the guide of a masterful dramatist who perhaps is equalled only by Shakespeare. What, for you, makes Mozart’s piano concerti special/significant in the canon of classical music? Let the listeners decide! I have particular commitment to Viennese classical repertory, French music, and contemporary music, though the works I perform span the Elizabethan masters to the present. Which particular works do you think you perform best? Nadia Boulanger and Sir Clifford Curzon when I was young Felix Galimir and Rudolf Kolisch later on. Who or what were the most important influences on your musical life and career? It is impossible for me to express adequately my debt to him. He discovered that I had absolute pitch and arranged my musical education forthwith, chaperoning me to Fontainebleau to study with the legendary Nadia Boulanger. My musical guardian angel was my maternal uncle, Benjamin Spieler, who studied clarinet at Juilliard with Prokofiev’s friend and colleague Simeon Bellison (principal clarinettist in the NY Phil) and pursued studies in flute, oboe, and clarinet and saxophone at the Paris Conservatory and bassoon at Columbia in New York. My parents were great music lovers and the gramophone and radio were central to my early exposure to music. Who or what inspired you to pursue a career in music?
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |